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Posts tagged ‘Canon EOS 5D Mark II’

2
May

Paige Lindquist~ Colours From Copper Lane


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15
Apr

Anna Kottova~ Radjuli Custom Designs

20
Mar

Breaking Into Photojournalism ~ Lenses, It’s About Extremes

This is the first post I’ll be doing for those of you who want to start a career as a photojournalist.

You never know what extremes in life you’ll be facing day to day as a newspaper photog. One minute you’re photographing a 108 year-old’s birthday and within an hour you’re at a murder scene. It’s the same with the equipment you need to have. You’re going to have to be heavily stacked in the extreme focal lengths.

In order to get close to the action and tell the story in one image, you need an extreme wide-angle lens. You need to have images with impact, and you can’t rely on Photoshop in post. A wide-angle gives you this. The perspective let’s the viewer walk into the frame to feel what it was like to be there.

Canon EOS 7D, EF-S10-22mm f/3.5-4.5 USM~ 1/250 sec,f/5.0, ISO 500.

You’ll be shooting lots of sports and concerts. And in the darkest places imaginable. The average high school gym is as bright as your living room at night. Minimum shutter speed to freeze action is around 1/500 sec. So you’ll need a fast extreme telephoto. Industry standard is a 300mm f2.8.

Canon EOS-1D Mark IV, EF 300mm f/2.8 L IS USM, 1/1250 sec., f/4.0, 1600 ISO

Another workhorse is the 70-200mm f2.8. You’ll be using it all the time. A great investment. Stay away from the IS (image stabilizaion) version of this lens. You don’t need it and it will save you 500 bucks. Learn to hold still and use the proper stance for shooting with a telephoto. In news your subject is always moving so IS won’t help there either.

Canon EOS-1D Mark III,Canon EF 70-200mm f/2.8 L USM~ 1/320 sec, f 2.8 ISO 3200

Invest in fast, extreme lenses. And lenses ARE an investment. You can use them for decades. Technology doesn’t advance for lenses like it does with camera bodies.
Try to buy new. If you have to, you can find used lenses. Get the three lenses mentioned here, you’ll be set. Lenses are expensive. But it’s a good test to see who’ll sacrifice life’s spending temptations to get into the biz. No snowboards or motorcycles for you!!!!!

8
Mar

Natasha, Captured With 5D Mark II And iPhone 4s

Canon EOS 5D Mark II, Lens: EF17-35mm f/2.8L USM Post-processed: Alien Skin Exposure (Technicolor-Summer Blockbuster)

iPhone 4s, Lens: John S Film: Ina’s 1969 Post-processed: Alien Skin Exposure (Technicolor-Process 2)

Canon EOS 5D Mark II, Lens: EF85mm f/1.8 USM Post-processed: Alien Skin Exposure (Technicolor Vibrant)

iPhone 4s, Lens: John S Film: Ina’s 1969

Canon EOS 5D Mark II, Lens: EF85mm f/1.8 USM Post-processed: Alien Skin Exposure (Technicolor Summer Blockbuster)

4
Mar

Serena, Captured With 5D Mark II And iPhone 4s

iPhone 4s, Lens: John S Film: Ina’s 1969 Post-processed: Alien Skin Exposure Technicolor Process 2

Canon EOS 5D Mark II, Lens: EF50mm f/1.8 II Post-processed: Alien Skin Exposure (Technicolor Process 2/Polaroid Cyan Shadows)

iPhone 4s, Lens: Lucifer VI Film: BlackKeys SuperGrain Post-processed: Alien Skin Exposure (Polapan)

Canon EOS 5D Mark II, Lens: EF85mm f/1.8 USM Post-processed: Alien Skin Exposure (Polapan)