The largest concert in Greater Victoria history was headlined by the Tragically Hip, a legendary Kingston, Ontario rock group.
The crowd passes time as the Rock the Shores concert is stopped due to thunder storms
Tragically Hip frontman Gord Downie.
Sam Roberts band.
Nothing like a little roller derby action on a Saturday night. Shot these with a Canon EOS 1D Mark IV and a Canon EF 70-200mm f/2.8 L USM Lens. Played around with Alien Skin Exposure 4 for light leaks, scratches and LOMO effects.
Doomsday Bunnies Ivonna Masterskate goes flying after trying to get around Belles Brawl Rage
Doomsday Bunnies Ivonna Masterskate (second from right) tries to get around Belles Brawl defenders
Belles Brawl Rage falls trying to get around Doomsday Bunnies Simba Storm
Newer model DSLR’s have extreme ISO settings with little loss in quality. Don’t be afraid of going 1600 ISO and above. You’ll need it.
2~ Crank up the shutter speed
Keep your shutter speed as high as possible. It’s surprising how quickly performers move onstage. Especially at rock concerts. Try for a minimum of 1/250 sec. You’ll need high ISO and fast lenses to achieve this.
3~ Expose for the subject
Your meter is going want to over-expose your subject. The meter gets thrown off by the dark background combined with a spotlit subject. If you don’t under-expose you’ll get blocked-up highlights on the faces.
4~ Use the “Hail Mary”
When you shoot from the photo pit you’ll be beneath the performers. To get dynamic shots, hold your camera above your head with a wide angle lens on. Blast away!
5~ Carry two camera bodies
One body with a telephoto and one body with a wide angle. You won’t have time to change lenses. Usually you only get three songs so you have to use every second. Plus it’s too dark to see what you’re doing anyway.
This is the first post I’ll be doing for those of you who want to start a career as a photojournalist.
You never know what extremes in life you’ll be facing day to day as a newspaper photog. One minute you’re photographing a 108 year-old’s birthday and within an hour you’re at a murder scene. It’s the same with the equipment you need to have. You’re going to have to be heavily stacked in the extreme focal lengths.
In order to get close to the action and tell the story in one image, you need an extreme wide-angle lens. You need to have images with impact, and you can’t rely on Photoshop in post. A wide-angle gives you this. The perspective let’s the viewer walk into the frame to feel what it was like to be there.
Canon EOS 7D, EF-S10-22mm f/3.5-4.5 USM~ 1/250 sec,f/5.0, ISO 500.
You’ll be shooting lots of sports and concerts. And in the darkest places imaginable. The average high school gym is as bright as your living room at night. Minimum shutter speed to freeze action is around 1/500 sec. So you’ll need a fast extreme telephoto. Industry standard is a 300mm f2.8.
Canon EOS-1D Mark IV, EF 300mm f/2.8 L IS USM, 1/1250 sec., f/4.0, 1600 ISO
Another workhorse is the 70-200mm f2.8. You’ll be using it all the time. A great investment. Stay away from the IS (image stabilizaion) version of this lens. You don’t need it and it will save you 500 bucks. Learn to hold still and use the proper stance for shooting with a telephoto. In news your subject is always moving so IS won’t help there either.
Canon EOS-1D Mark III,Canon EF 70-200mm f/2.8 L USM~ 1/320 sec, f 2.8 ISO 3200
Invest in fast, extreme lenses. And lenses ARE an investment. You can use them for decades. Technology doesn’t advance for lenses like it does with camera bodies.
Try to buy new. If you have to, you can find used lenses. Get the three lenses mentioned here, you’ll be set. Lenses are expensive. But it’s a good test to see who’ll sacrifice life’s spending temptations to get into the biz. No snowboards or motorcycles for you!!!!!